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Leila Nouraei

Group Exhibition

Opening on 1st August 2025
On View until 22nd August 202

Presenting works by: Shirin Mellatgohar, Hejazi Sisters, Shaqayeq Ahmadian, Nastaran Safaie, Nasim Davari, Parisa Taghipour, Sara Hosseini, Oriya, Sara Tavana, Ava Afshari, Avin Farhadi, Elmira Mirmiran, Sara Assareh, Soudeh Davoud, Maryam Farshad, Mahya Giv, Sara Abbassian, Samira Batebi, Rouzan Bagheri, Marjan Hoshiar, Zari Hosseini, Sanahin Babajanians, Sara Soleimani Qashqai,Leila Nouraei, Parisa Abbassi, Maryam Farzadian, Moloud Mazaheri, Solmaz Nabati, Tina Sadeghian, Mansooreh Baghgaraei

The vibrant art works gathered in this exhibition are a product of this time and this place, where we are the happiest and the most miserable. A product of a land in constant state of flux, a realm where extraordinary circumstances always persist. It is the ambition of this exhibition to show that against such a back drop, purity of thought and approach is still possible and deserves appreciation and exposure.This exhibition brings together thirty female artists forming a collective union which becomes the emblematic Simorgh. This concept of collective unity, which arises from the diversity of the individual characters and at the same time benefits from it, is meant to show the spirit of the times that we live in and perseverance of female artists in traveling their own path, with belief that the journey itself is treasurable. Iranian female artists are constantly expanding their artistic expression, exploring identity, resilience and storytelling. Freedom, Liberation, emancipation, wings of flight and flight are threads that have been highlighted in this exhibition.

Group Exhibition

Opening on August 9th 2024
On view until 30th August 2024

Artists:

Sara Anvari, Rozhan Bagheri, Nazanin Barati, Shilan Borhani, Azam Hosseinabadi, Parisa Abbasi, Sara Assareh, Nogol Mazloumi, Leila Nouraei, Nazgol Nayeri

The exhibition aims to bring together divergent set of works. Representing, but also upsetting the relationship of the artists and their connection to reality. Spheres that contain paradoxes, and manage to juxtapose the ideal with the unattainable.
Openings and closings.
Slices cut off from real world and shaped by emotional needs: Somewhere Else.
Breaking away from the harsh realities is a Persian Tradition, manifested in our literature and arts, even in our timeless tradition of humor. The tough realism of everyday is compensated by stepping in to another dimension, cherishing illusions that replace the real world.
Here are exaggerated floating spaces, – a placeless place- yet in connection with the spaces that remain outside them. Within these spaces we are alive, free of borders and restrictions, away from the mundane, separated from the gloom that engulfs our land. Able to float in an archipelago of plurality, as we are supposed to.
Nazila Noebashari