2009-08-14 to 2009-08-25
The word “Appropriation” in photography refers to acquiring and taking exclusive possession, and then through the artistic intervention, adapting the concept, structure, form and content of an art work to one’s own. Through this type of adaptation, the delicate distance between imitation and inspiration can be discerned. In fact, “Appropriation Photography” is the re-birth of an art-work. What is ultimately created is inevitably an art that (directly or allegorically) refers one to another art; be it literature, painting, self-portrait, or others. The present collection belongs to some young photographers who consciously, and without anguish, have borrowed and extracted from the works of others. Ultimately what seems attractive, is the attention of the new generation of Iranian photographers to a recent and contemporary subject of “Appropriation Photography” and that how in the footsteps of the great artists, if they have not portrayed more attractive works, they are nonetheless no less than the originals.